The first Modern Jazz Quartet sessions recorded for release as a 12-inch LP also featured the debut of Connie Kay, who replaced Kenny Clarke on drums. The expanded recording time afforded by the new configuration allowed the group to put together a program approximating a live performance: 'Ralph's New Blues' leads off, a showcase for the easy-swinging soul of vibraphonist Milt Jackson and the ever-elegant fulcrum of the quartet, pianist John Lewis. Percy Heath sets down an eloquent walking bass pattern or repeats the melody in a rondo format, while Kay adds subtle pulse and appropriat punctuation. Lewis and Jackson also display remarkable empathy on the ballads 'All of You' and 'Softly as in a Morning Sunrise.'
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The sprightly set-closing title track employs all of the unit's strengths. Ralph's New Blues 2. All of You 3. I'll Remember April 4. Gershwin Medley: Soon/For You, For Me, For Evermore/Love Walked In/Our 5.
Softly, As in a Morning Sunrise 6. Porcupine Tree defies categorization. This unique London-based quartet make unconventional, uncompromising music that qualifies them as Europe's premiere art-rock cult band. Porcupine Tree's cogent musical personality is a force to be reckoned with. Porcupine Tree's intelligent and accessible sound will appeal not only to metal enthusiasts and twenty-something dark wave fans, but will also fit in with today's more adventurous alternative station playlists.
Arriving Somewhere But Not Here 6. Mellotron Scratch 7. Start of Something Beautiful 9. Glass Arm Shattering. The Trojan label box sets are one of the best introductions into specific Jamaican genres on the market.
The budget-priced boxes stuff in over 50 songs across three CDs, and although they are parsimonious with the liner notes and infuriatingly unhelpful with the credits, there isn't much of better value to be had. The Trojan D.J. Box set is yet a further example of the plusses and minuses of this series.
The discs are positively packed with hits from all of the era's greatest stars. U-Roy flashes his whip, Big Youth is indeed killer and a screaming target for his competitors to try to beat, Dennis Alcapone is crowned the King of Kings and remains the perennial DJ's choice, while I-Roy proves that 'Blackman Time' is the best time of the day. All four of these superstars are well served within, each spotlighted by a handful of their top toasts. A little further down the ladder were DJs like Scotty, Shorty, Charlie Ace, and Lizzy, all popular in their day, but whose accomplishments have faded with time. The first two each receive several cuts, and their 'Yamaha Skank' and 'I Worry,' respectively, are both top-notch, as is Lizzy's 'Love Is a Treasure.' Dave Barker is as renowned for his singing as his DJing, and his toasting was as exuberant as his singing was sweet.
His 'I Got to Get Away' is an absolute masterpiece. There are also welcome inclusions from such early groundbreakers as King Stitt and Sir Lord Comic, as well as a number from now long-forgotten DJs like Blake Boy and Prince Heron. What's missing is any sense of chronology, any mention of the producers, and any identification of the rhythms being rapped over.
For novices, this can lead to endless weeks of playing Name That Tune, and even veterans will find the lack of information disturbing. Code: http://www.dasbistro.com/sam/ogg/NickCav.TheRipper.ogg. Code: http://www.dasbistro.com/sam/ogg/NickCav.(VideoMix).ogg. Without a doubt, Can were the best thing to come out of Germany (with the possible exception of Borussia Dortmund). Lodged somewhere outside the sacred and profane, their music was never less than challenging, quite often confounding and an influence on a generation of musicians who listened with its brains. Can, of course, are in the can now, but the malady lingers on, and in these 16 tracks it's exhumed, restructured and generally treated to all sorts of amazing necrophilia, to the point where you could call this something new. But better to call it brilliant.
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Even Sonic Yoof, not known for their taste, turn 'Spoon' into something that's dripping with menace. The Orb perform the usual magic on 'Halleluwah,' while Pete Shelley's tinkering with 'Father Cannot Yell' manages the odd feat of turning it into an '80s extended disco mix. And not one bit of it is bad.
If getting in a bunch of grand remixers (add System 7, Kris Needs, Bruce Gilbert, and others to the list above) to perform surgery is the tribute album of the future, then I'm all in favor.Chris Nickson Disc 1 1 Pnoom Moon Up Mix 2 Spoon Sonic Youth Mix 3 Blue Bag (Inside Paper) Toroid Mix 4 Tango Whiskeyman A Guy Called Gerald Mix 5 TV Spot Bruce Gilbert Mix 6 Vitamin C U.N.K.L.E. Mix 7 Halleluhwah Halleluwa Orbus 2 8 Oh Yeah Sunroof Mix Disc 2 9 Unfinished Hiller/Kaiser/Leda Mix 10 Future Days Blade Runner Mix 11.And More Westbam Mix 12 Father Cannot Yell Pete Shelley/Black Radio Mix 13 Dizzy Spoon System 7 Mix 14 Yoo Doo Right 3P Mix 15 Flow Motion Air Liquide Mix 16 Oh Yeah Secret Knowledge Mix. The Central Scrutinizer is out to protect you from the harmful effects of that horrible force called music.
Such is the premise of Joe's Garage, Frank Zappa's three-act concept album which explores the world of groupies, governments, sex toys, and Catholic school girls. As always, Zappa's aim is true and his scope wide, following Joe (voiced by his long-time co-conspirator, Ike Willis) as he starts a band, loses his girl, falls in love with a robot, and tries to find his true place in society. Filled with catchy classics ('Catholic Girls' 'Crew Slut') and blazing guitar work ('Keep it Greasy,' 'Watermleon in Easter Hay'), this is the sort of schmorgasbord of imagination and artistry that only Zappa could produce.Andrew Boscardin From the Label The Government censors rock music in its entirety in this sprawling musical saga. Eastern Europe took this lesson in censorship to heart when it was released. This is the complete set to scrutinize in the safety of your own home, made all the more timely with the rising of conservatism in the land of the free (still going strong as of this writing). Among the targets of Zappa's satire are religious cults, conservative morality, sexual fetishists and the band Toto.
The first disc includes such Zappa standards as the title track, 'Catholic Girls' and 'Why Does It Hurt When I Pee?' The plot thickens in the second and third acts, which include the outrageous 'Stick It Out,' 'A Token of My Extreme' and many awesome guitar solos including the classic 'Watermelon In Easter Hay'. Originally released in 1979. 3 LPs on 2 CDs. The Central Scrutinizer 2. Joe's Garage 3.
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Catholic Girls 4. Fembot In A Wet T-Shirt 6. On The Bus 7. Why Does It Hurt When I Pee? Lucille Has Messed My Mind Up 9. Scrutinizer Of Postlude 10.
A Token Of My Extreme 11. Stick It Out 12.
Sy Borg Disc: 2 1. Dong Work For Yuda 2. Keep It Greasy 3. Outside Now 4.
He Used To Cut The Grass 5. Packard Goose 6.
Watermelon In East Hay 7. A Little Green Rosetta.